Tag Archives: HERA

All About Jazz reviews Rethinking Jazz Cultures Salford conference

E Taylor Atkins, Catherine Tackley, George McKay, rethinking

E Taylor Atkins, Catherine Tackley, George McKay, rethinking

You know you must be doing something right when the jazz media starts reviewing academic events. Excellent! Here’s to more and deeper dialogue and collaboration between all critics, enthusiasts, and historians of the music. As reviewer Ian Patterson asks in his piece, just published here in the leading online magazine All About Jazz:

The study of jazz in academic institutions may be a relatively modern trend, but the presence of over a hundred academics from South Africa to Russia and from America to Portugal at the Rhythm Changes: Rethinking Jazz Cultures conference, at Media City UK, Salford, underlined that it’s an undeniably global phenomenon. It’s also a sign of the continuing evolution and maturation of historical, socio-political, anthropological and musicological perspectives on music that is more than a century long in the tooth. There may be some who feel that jazz and academia make for odd companions, mutually exclusive fields, but if academic scrutiny is good enough for poetry, literature, graphic art, cinema, theater and other forms of music, then why not jazz?

Quite. Why not. Knowledge exchange, in process. 

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Rhythm Changes: Rethinking Jazz Cultures conference, Salford, April 11-14

RC Salford poster jpegSo looking forward to this conference at MediaCityUK, the culmination of our three-year HERA-funded European jazz research project, Rhythm Changes: Jazz Cultures and European Identities. We have over 100 delegates coming from 20 countries, and I am especially looking forward to seeing the British jazz historian and photographer Val Wilmer talking, about some of her famous images and her career, on the Sunday. And there’s a photography exhibition, with a special commission, several bands playing live, a music commission too. (The full programme is here.) So we have academics, independent researchers, media practitioners, musicians, all talking as an international community of jazzers. As my friend and colleague—and you know what, we are all friends and colleagues on this project, that’s been one of the many great things about it—Prof Tony Whyton puts it, in his welcome notes in the conference programme:

Rhythm Changes has drawn on the expertise of 13 researchers who work across 7 institutions in 5 European countries, but the growing network of partners, musicians and scholars—including those participating in the 2011 ‘Jazz and National Identities Conference’ in Amsterdam and ‘Rethinking Jazz Cultures’ in Salford—means that the scope and impact of Rhythm Changes is ever widening. Our packed conference programme offers stimulating keynote presentations and panels, plenary sessions, papers, performances, poster presentations and exhibitions, all of which should [will!] generate high quality debate and discussion. Rhythm Changes has sought to encourage people to rethink the way jazz has been articulated, represented and understood, and this conference will be a powerful reflection of this core aim.

AHRC website announces Rethinking Jazz Cultures

 

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