All this information is available elsewhere on the website but I thought it might be of interest to place on one page the books I’ve written and edited, with a useful link for each. Also, on this page, Open Access, you can find links to freely available versions of many of these publications, e.g. as Google Books, as well as free extracts / chapters from them in open access repositories I put my work on, such as my university’s institutional repository, and my academia.edu page.
Editor, The Pop Festival: History, Music, Media, Culture (London: Bloomsbury, 2015). Includes editor’s introduction, 13 international chapters, one photo-essay, and 63 other b&w images.
Supported with funding from EUFP7/HERA project grant Rhythm Changes: Jazz Cultures and European Identities (€1million; 2010-13), and an Arts and Humanities Research Council Connected Communities Leadership Fellowship grant (£359,888; 2012-15).
Shakin’ All Over: Popular Music and Disability (Ann Arbor MN: University of Michigan Press, 2013). includes 32 b&w images.
Supported with an Arts and Humanities Research Council Research Leave award (£39,597; 2010-11).
Radical Gardening: Politics, Idealism & Rebellion in the Garden (London: Frances Lincoln, 2011). Includes 79 b&w and colour images.
Publication supported with a small grant for photography permission fees from the Stanley Smith (UK) Horticultural Trust (£1,000; 2009).
Co-editor, with Christopher Williams, Michael Goddard, Neil Foxlee and Egidija Ramanauskaite. Subcultures and New Religious Movements in Russia and East-Central Europe. (Oxford: Peter Lang, 2009). Cultural Identity Studies series, vol. 15. Includes two editors’ introductions, 15 international chapters and 16 b&w images.
Supported with funding from EUFP6 project, Society and Lifestyles: Towards Enhancing Social Harmonisation through Knowledge of Subcultural Communities (2006-08).
Editor, special issue of journal—on popular music and disability, Popular Music (Cambridge University Press; 28:3, 2009). Includes editor’s introduction, eight international essays, several musical transcriptions, and 14 b&w images.
Circular Breathing: The Cultural Politics of Jazz in Britain (Durham NC: Duke University Press, 2005). Includes 26 b&w images.
Supported with two Arts & Humanities Research Board grants: a Research Leave award (£12,035; 2002), and a Small Grant for the Creative and Performing Arts (£3,169; 2001).
Publication supported with funding from Arts Council England and Youth Music.
Co-editor with Neil Campbell and Jude Davies, Issues in Americanisation and Culture (Edinburgh: Edinburgh University Press, 2004). Includes editors’ introduction and conclusion, plus 15 chapters and 11 b&w images.
Supported with funding from two HEFCE Funding for the Development of Teaching and Learning 3 project grants, Americanisation and the Teaching of American Studies (AMATAS) project (£148,304; 2000-02. And a project extension award of£14,850; 2003).
Glastonbury: A Very English Fair (London: Victor Gollancz, 2000). Includes well over 100 colour and b&w images, and a 30-page timeline of festival culture since the 1950s.
Proud to say that the journal is still going strong, up from originally two to now four issues a year. Now my role is mainly a titular one, as Consulting Editor.
Editor, DiY Culture: Party & Protest in Nineties Britain (London: Verso, 1998). Includes editor’s introduction, 10 chapters, a set of cartoons, and 25+ b&w images.
Editor, Yankee Go Home (& Take Me With U): Americanization & Popular Culture (Sheffield: Sheffield Academic Press, 1997). Includes editor’s introduction, eight international chapters, and one b&w image.
Published with the support of a European Association for American Studies publication subvention ($1,300; 1994).
Senseless Acts of Beauty: Cultures of Resistance since the Sixties (London: Verso, 1996). Includes 20+ b&w images.
What is it they say? ‘You’re only ever as good as your first book…’ This is where it all started, for me.